In this pop-up winter 2017 story, talented teen author Ginevra Davis examines the risks of competition and pursuing one’s passion.



By Ginevra Davis

My new dress is white with roses. It was made just for me, stitched precisely to the lines of my body. Each rose is hand-painted with pink fabric paint, no fewer than five crystals painstakingly glued to each embroidered petal. White satin ribbons crisscross the open back. Most figure skating dresses are polyester blend, but mine is pure silk, airy and fragile. The skirt ripples around my hips when I spin on the ice, the crystal roses catching light with each turn and change of edge. Right now, the dress hangs outside my closet door, waiting for me.

Sometimes, I hate that dress.



I am four years old, more snowsuit than child. My ankles wobble in dirty tan rental skates as I shuffle around the tiny outdoor rink. The other kids lean on stacks of plastic crates to keep themselves upright, but I refuse the crutch. I will skate on my own shaking ankles, I will dance on ice like the skaters who smile through my television set. I push my blades against the ice harder and harder until I trip over my toe picks. I skate backwards and forwards, on two feet, then gliding on one. Later, I beg my parents for lessons, a coach. I get real white figure skates with clean laces and two crystals on each toe. I am in love.



Like all serious figure skaters, I have a dressmaker. My dressmaker’s studio is a shrine to the creative process— bolts of rich fabrics stacked high in the corners, uncapped tubes of crystals spilling onto tables stained with fabric paint. I know what I want, a white dress with pink roses and ribbons lacing up the back. I tell her my vision, and together we sit hunched over a sewing table with a piece of paper and a pencil, drawing and erasing, saying this goes here and that goes there and, “Oh, wouldn’t these look lovely with pink crystals.” Each whimsy is etched onto the page until my dream has been realized. Afterwards, I clutch the sketch, smudging my fingers as I trace over the graphite roses and ribbons.



I am nine years old, and I am ecstatic. I have landed a double jump for the first time, the youngest at my rink to do so. My coach gives me a hug and an approving smile, my parents buy me a T-shirt from the local skating store that says, “I landed my axel!” This new jump makes me competitive, a “real skater” instead of a kid who goes to the rink sometimes. Two months later I wave goodbye to my old coach and make the long drive to the storied Skating Club of Boston.

The old coach is replaced with four fancy new ones, one for jumps, one for spins, one for choreography, and one to manage the other three coaches. I skate everyday, I skate until my legs ache and my feet chafe and the tips of my fingers turn purple in the cold.

“On Your Toes” © Siri B.L. https://www.flickr.com/photos/siribl/4144067537/



It takes months to sew a skating dress, to take a roll of fabric and shape it into art. It is painstaking, exacting work, a skill so rare that most coaches have a single dressmaker deemed competent enough to create costumes for their skaters. Each piece of my dress is cut to my measurements, 18.9 inches from knee to hip, 24.6 inches around the waist, then threaded together with tiny white stitches. My dressmaker cuts the bodice from lycra before lining it with silk, then sews more silken fabric onto my hips to create a delicate skirt. The silk is expensive, but we use it anyway. You work so hard, my parents say. You deserve this. The uncut silk is soft as I hold it up to my body. I think I could never be sad wearing something this beautiful.



I am thirteen years old, long and bendy. I am a beautiful spinner. I can grab the tip of my left blade with my opposite hand as I spin, then straighten my knees until my legs are extended in a full split, my back arched flat against my thigh. I spin like this at the beginning of each of my routines, soaking in the jealous stares from my rivals, the high marks from judges.

Other coaches come up to me after competitions, saying, “I wish my students could spin like that.” I tip my head back and spin around and around until I get so dizzy that everything goes black and stars dance across my eyes.



The most expensive part of a skating dress is the crystals. The gems are costly in themselves, but one mostly pays for the hours the dressmaker spends applying them. Thousands of these tiny jewels must be glued onto the dress by hand, arranged in intricate patterns in order to reflect light and dazzle the judges. My dress has 1,300 stones, clear crystal for the bodice, matte opal for the ribbons, three different shades of pink for the roses. I pick them out myself, holding each sample up to the fluorescent lights in my dressmaker’s studio, squinting as I try to discern the difference between a 6.2 mm Indian Pink and 4.0 mm Vintage Rose.



I am fifteen, and my back hurts. It hurts when I jump, when I walk, when I sit at my desk in school. “This is bad, this is wrong,” I want to scream. I’m a teenager and my bones ache. When I grab my leg to spin, I feel vertebrae rub and crunch, a dull knife sawing at my spine.

“Not today,” I tell my coaches.“Tomorrow, I’ll be better.” But tomorrow comes, and it hurts to get out of bed. The doctors tell me what I already know: my back is broken. I am broken.

My back brace is white plastic, held together with shiny silver rivets and thick velcro straps I pull tight every

“Old Skate” © Tom Godber https://www.flickr.com/photos/masochismtango/2187511504/

morning. It squeezes my ribs and pinches my waist, encasing me day and night. If you hit the plastic hard enough through my clothes, I sound hollow.



Every little girl assumes that figure skaters live their lives in little sparkly dresses. But the truth is that dresses are for competition only, something to be nervously zipped up an hour before the big event and peeled off in the locker room five minutes after. Sequins bite and scratch; chiffon offers bare arms little protection against the sharp rink air. All my best memories of skating are in practice clothes, from the red velvet scrunchie I bought for my first private lesson to the big gray pullover I wore to every morning practice, always there to keep me safe from the six a.m. cold.



I am sixteen and miserable. I am back on the ice, but after being off for months, my knees ache and my hips pull and my weakened ankles wobble like they did when I was four years old. I must skate slowly now, I must jump close to the ground.  The brace is gone, but the knife in my back still saws with each landing. I watch the younger kids land their double jumps for the first time, hopping up and down on their toe picks and shouting— “I did it!” —with each twirl and trick. I watch my old rivals land triple jumps, I watch them fly off for the National Championships and come home with suitcases full of shiny plastic trophies. My back does not bend any more, every stab of pain a firm reminder that I am not what I once was.



I try on my new dress and wonder how such tiny jewels can become so heavy. They weigh on my chest, although the silk skirt lifts effortlessly when I twirl in front of the mirror. I admire the perfect stitches, the painted roses, the corset back, the hundreds of crystals glittering on every open inch of fabric. It is the most beautiful dress I have ever seen, and yet at the same time, I hate it. I made a beautiful, expensive, useless thing. When I put it on, I feel hollow.

“Pink Baubs” © Kris A https://www.flickr.com/photos/webgrl/917614032/



I am seventeen and tired. I am tired of skating, tired of pain, tired of feeling worn down. Sometimes I wonder what it would be like to hang up my skates, to give in to my body and quit. But then I remember the little girl who wanted nothing more than to dance on the ice, who skated every day until her hands turned purple in the cold. I owe it to her to keep trying, to keep going, even though every practice is punctuated by pain.  I get new music, a new routine … all I need is a dress.



Today I am competing. A bottle of little white pills sits on my dresser, painkillers that allow me to perform an approximation of my old spins. I do not compete to win a medal, I compete because it is what I have always done. Because I have endured so much to be able skate.

My new dress hangs outside my closet door. It would be such a shame for that beautiful dress, with its white ribbons softly lacing up my back, to sit in my bedroom unworn.


Unworn-GDbioGinevra Davis is a senior at Concord-Carlisle High School. Aside from writing and figure skating, she is the owner of two businesses. She is the captain of her school’s debate team, and she enjoys drawing, painting, reading, and watching “Game of Thrones” with her dog and cat. Ginevra’s favorite book is “Flowers for Algernon,” and she draws much of the inspiration for her writing from Latin literature. She is an avid foodie, and enjoys wandering around her hometown of Boston, Massachusetts looking for new restaurants.

Subscribe / Share

2 Comments Post a Comment
  1. Janelle says:

    Wow, beautiful! Thank you for this poignant story.

  2. Clare says:

    Amazingly crafted, and very moving. Loved it. Also I’m a huge fan of the Classics too!

Leave a Reply

What Is YARN?

It's a brilliant thing to have a place where you can read fresh original short stories by both seasoned YA authors and aspiring teens. YARN is a great tool box for growing up writing. - Cecil Castellucci

Imagine. Envision. Write. Revise. Submit. Read.

YARN is an award-winning literary journal that publishes outstanding original short fiction, poetry, and essays for Young Adult readers, written by the writers you know and love, as well as fresh new voices...including teens.

We also believe in feedback, which is why we encourage readers to post comments on pieces that inspire thought, emotion, laughter...or whatever.

So. What's your YARN?

Publication Archive